INVISIBLE WOMEN, a documentary based on the book Invisible Women: Forgotten Artists of Florence, written by American Jane Fortune (The Florentine Press, 2009) won an Emmy award on June 1, 2013, as the Best Documentary in the Cultural/Historical Program category by the National Academy of Television Arts and Sciences. The documentary, produced by WFYI Productions of Indianapolis, was recently aired on American public television (PBS).
“Winning the Emmy is a new boost to my project, which aims to restore and exhibit artworks by women in Florence,’ said Jane Fortune, art collector, philanthropist, as well as Founder and Chair of Advancing Women Artists Foundation. ‘To achieve these goals it takes technology and skill. It takes the commitment of the city’s museum directors, its restorers and its citizens in general, who are eager to finally learn more about these lesser-known works.” (See the website of Advancing Women Artists for an interesting recounting of the restoration of Artemisa Gentileschi’s David and Bathsheba.)
“Efforts to safeguard works of art are obviously directed to our cultural heritage in general. What I think we are doing on many fronts is dedicating supplementary attention to works of art by women, through initiatives like restoration and presentation to the public, placing an emphasis on the personalities of these women artists,” said Cristina Acidini, Superintendent of Florence’s Historic and Artistic Ethno-Anthropologic Patrimony and the Polo Museale.
Suor Plautilla Nelli, Artemisia Gentileschi, Elisabetta Siriani, Irene Duclos Parenti, Elizabeth Chaplin, Lavinia Fontana—the search for women artists in Florence spans hundreds of years and leads the art lover through the halls of the city’s museums, where a sprinkling of representative works gives incentive to further investigation. The whirlwind tourist knows nothing of them, while the art-loving resident lucky enough to happen upon an occasional exhibit aimed at unearthing the city’s hidden cultural patrimony may only vaguely remember their names.
The documentary Invisible Women will have its Italian premiere at Florence’s Odeon Cinema on Tuesday, June 25 at 7pm. Tickets cost 6 euro, with proceeds going to the Advancing Women Artists Foundation which restores and safeguards works of art by women. The Odeon Cinema is a partner in the event, evidence of its ongoing commitment to culture in the city of Florence and of its international nature.
For information on the evening visit the websites of The Florentine (www.theflorentine.net) and the Odeon Cinema (www.odeonfirenze.com). See the Facebook page.
For more information contact: Linda Falcone, Advancing Women Artists Foundation (email@example.com)
Finding Art by Women in the Strangest Places
One of the most interesting, but least visited museums, in Florence is the Garibaldi Museum, maintained by the Associazione Nazionale Veterani e Reduci Garibaldini, in the 10th century tower, Torre della Castangna which stands in Piazza San Martino, on the corner of via Dante Alighieri. It has in its collection a portrait by one of Florence’s most talented artists, working at the dawn of the 20th century, Elisabeth Chaplin.
The Torre della Castagna is interesting in its own right, being one of the least altered medieval towers in Florence. In 1038, the tower was given by Emperor Corrado II to the Benedictine monks of the adjacent Badia Fiorentina in order to help with the monastery’s defenses. In 1282 the tower became the meeting place of the Priori delle Arti, the governing body of the Florentine Republic. The name of the tower came from the fact that the members of the Priori used chestnuts (castagne) to cast their votes.
Today, the tower houses a collection of artifacts having to do with Giuseppe Garibaldi, a central figure in the Italian Risorgimento, since he personally commanded and fought in many military campaigns that led eventually to the formation of a unified Italy.
Among the collection is a portrait of Anita Vignoli (née Castellucci) painted by Elisabeth Chaplin. Anita Castellucci, named by her father after Garibaldi’s beloved Brazilian wife Ana Ribeiro da Silva (commonly known as “Anita”), who fought with Garibaldi. Her Vignoli husband worked to carry on Garibaldi’s legacy into the 20th century. Anita Vignoli is wearing her father’s medals.
Elisabeth Caplin, born in France, came from a family of painters and sculptors. In 1900 her family moved to Italy, first to Piemonte and afterwards to Savona in Liguria. It was there that Elisabeth started to teach herself to paint, with no formal training and only the advice of Albert Besnard. When the Chaplin family took up residence at the Villa Rossi in Fiesole in 1905, Elisabeth had the chance to visit Francesco Gioli’s studio and meet Giovanni Fattori. (Her painting of Anita Castellucci Vignoli was painted sometime between 1906 and 1922.)
Chaplin’s visits to the Uffizi Museum were decisive. She learned from copying the classics. From 1905-8, she painted her first large canvases and in 1910 her Ritratto di Famiglia (Family Portrait) for the Florence Society of Fine Arts won her a gold medal. In 1916 she moved with her family to Rome, where she would live until 1922.
She participated in the Venice Biennale in 1914 and in the Paris Salon in 1922 and thereafter. In the 1930’s Chaplin produced numerous frescoes and murals. In 1937 she won a gold medal at the International Exhibition in Paris and in 1939 she was given the French Legion of Honor. She returned to Italy after World War II.
Chaplin donated her entire body of works to Florence. Fifteen of her paintings are on show at Palazzo Pitti’s Modern Art Gallery, while almost 700 (paintings and sketches) are in storage. Why are so many masterpieces by extraordinary women artists hidden from the public eye and from the enjoyment of visitors? See a small part of the story at the Odeon Cinema on June 25.